Last week I went to an amazing
painting exhibition entitled, “Horror and Delight” at the Academy of Fine Arts
in Vienna. My visit had a few surprises in store: At the academy I was pleasantly reminded of
the art school I went to back in Iran, though this is a massive 19th
century building with elaborate frescoes on its high ceilings and vast stairways and corridors but ours, a crumbling
chewing gum factory turned into an art college. Yet I was delighted to find out
the atmosphere quiet the same in both, the smell of paint, the sound of
musicians rehearsing and packs of students drawing here and there.
Then there was the outstanding
exhibition, a collection of paintings gathered from all over the world
depicting human emotions and expressions from artists such as Rubens, Gentileschi,
Bosch and many others. The collection was gathered around the subject of extreme
human emotions with moving scenes of figures in pain, rage and fear some more
violent and graphic than a typical Hollywood horror movie. There was one showing
a beautiful lady forcing her blade diligently through the flesh of a struggling
man. This is, “Judith Slaying Holofernes” by Artemisia Gentileschi, one of the few
women painters in the 17th century in Italy. The amount of violence
in this picture is unbelievable. I wondered if there is really a need
for violence in human beings. Why would a 17th century painter
create such a horrid scene and why would some people still watch (and share) the
horrifying videos of recent violent acts of terrorists?
For “Judith Slaying Holofernes”
click here.